Wednesday, August 1, 2018
Community Plumbing: How the hardware store orders things, neighborhoods, and material worlds (Places Journal)
... growing up in that environment impressed upon me that pretty much everything can be made and fixed by regular people. It helped me appreciate how the world hangs together — how a building stands up, how electricity gets to the outlet, how water gets in the kitchen sink and out of a flooded basement. Triangle offered an elegant geometry. You could buy frames and fasteners for fixing material things, and you could access a social infrastructure that gave shape to the community. The world was built from the stuff on its shelves.
The Death of a Once Great City: The fall of New York and the urban crisis of affluence (Harper's)
Yes, the rich will be with us always. But New York should be a city of workers and eccentrics as well as visionaries and billionaires; a place of schoolteachers and garbagemen and janitors, or people who wear buttons reading is it fascism yet?—as one woman in my neighborhood has for decades, even as she grows steadily grayer and more stooped. A city of people who sell books on the street—and in their own shops. A city of street photographers, and immigrant vendors, and bus drivers with attitudes, and even driven businessmen and hedge fund operators. All helped to get along a little better, out of gratitude for all that they do to keep everything running, and to keep New York remarkable.
Chuck Schumer’s Actions on the National Stage Get Little Scrutiny From His Local Press (Fair)
In the heyday of the tabloid wars of the late 20th century, many NYC politicians feared the wrath of influential columnists like Jimmy Breslin, Jack Newfield and Pete Hamill. But today’s leading columnists seem willing to give Schumer a free pass.
On the Night Bus (Huck)
There is something about people in transit, they are off guard, vulnerable, staring, thinking, glassy eyed. I felt I was seeing people in a private moment but in a public place. It is a rare situation to candidly observe a stranger so intimately but the glass window and the dark night facilitated these close glimpses into another person’s day.
Peter Mitchell’s photographs of Leeds from 1979 (It's Nice That)
Peter’s series A New Refutation of the Viking 4 Space Mission displays the photographer’s affection and care towards capturing a city he holds dear with a unique narrative. The series follows the concept that “an alien has landed from Mars and is wandering around Leeds with a degree of surprise and puzzlement”. Featuring both landscape and portrait photography, the images first shown in 1979 act as essential documentation of not only Leeds but colour photography. “In the Earthly vernacular these photographs are of Nowheresville. Yet, for some people they are the centre of the universe. Usually they call it home.”
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